LP Pae Wat Phikulthong BE2512 Pae Sam Pan Machine Mould

龍波培被公認為我們這一代三大高僧之一。他一生中創製了各類佛牌，包括崇迪，必达，坤平，药师佛，自身像、招財女神（Nangkwak）、七日佛等。其中又以崇迪佛牌最受歡迎，因其靈驗名聲極高。

歷經戰亂與動盪後，泰國佛教於佛曆2500年前後迎來復興時期。許多著名高僧相繼出現，佛法與術法的傳承也順利延續，孕育了眾多高僧與靈驗事蹟。在這一時期所加持的佛牌中，龍波培所創的崇迪佛牌，被認為是單一高僧加持中最具靈力的之一。

其中最著名的就是培潘系列，首批於佛曆2510年製作，稱為“培潘”；第二批為佛曆2511年製作，稱為“二潘”（Sorng Pan）；第三批則於佛曆2512年製作，稱為“三潘”（Sam Pan）。後期還有一批使用礦物質製成的“三潘” ，被稱為“礦料版”（Nur Rae）。就收藏市場的評價與認可來說，佛曆2510年的培班穩居第一，毋庸置疑。雖然這並非龍波培首次加持崇迪，但就聲譽、知名度與收藏地位而言，培潘無疑是最經典的代表作。

目前，這些佛牌在市面上已極為稀少。當年製作時，使用的材料極為珍貴，包括各種聖花花粉、焚燒後的經文灰、寶石、礦石、金屬符管（Takrut）、龍波培親自加持的聖粉，甚至包含他個人收藏的古老崇迪佛牌。據說，這當中也混合了**崇迪祖師阿贊多（瓦拉康寺創製崇迪佛牌的第一人）**的佛牌碎片。這類珍稀材料僅出現在當時對金錢不那麼敏感的年代。在今日，真正的阿贊多崇迪佛牌已難覓蹤跡，更不可能再被用作材料。

此外，龍波培還使用了五大聖粉：伊塔皆粉（Itthije）、巴塔茫粉（Phathamang）、馬哈臘粉（Maharach）、帝尼星粉（Trinisinghe）、佛陀坤粉（Buddhakhun）。其中的佛陀坤粉，龍波培是親自誦唸強大的**金納班尊經（Chinnabanchon）**後親手書寫並研磨成粉，作為佛牌成分。

主法加持儀式在瓦闢坤通寺完成後，龍波培仍持續加持佛牌至少三個月，以確保其靈力發揮到極致。

在製粉與製作過程中，龍波培極為重視內外清淨，要求身心專注、誦經準確、書寫無誤。他依循嚴格的修持與儀軌進行，正因如此，他所創製的崇迪佛牌，被相信擁有佛陀神力般的靈驗加持。

LP Pae Wat Phikulthong is widely regarded as one of the top three high monks of our generation. Throughout his life, he created many types of sacred amulets, including Somdej, Pidta, Khun Paen, Phra Khring, his own image, Nangkwak, Naprok, and the 7-Day Buddhas. Among these, the Somdej amulet is the most sought after due to its strong spiritual reputation.

Following years of war and unrest, Buddhism experienced a major revival around BE2500. Many great monks emerged during this period, and the transmission of Dharma and Wicha continued smoothly, giving rise to many high monks and miraculous occurrences. Among the amulets blessed after BE2500, LP Pae’s Somdej is considered one of the most powerful ever consecrated by a single monk.

In particular, the Pae Pan series is the most famous. The first batch was made in BE2510 (called Pae Pan), the second in BE2511 (Sorng Pan), and the third in BE2512 (Sam Pan). A later version of Sam Pan was also made using mineral-based material, known as Nur Rae. Based on collector recognition and market response, Pae Pan from BE2510 is ranked number one without dispute. While it wasn’t LP Pae’s first Somdej, it is the most well-known and respected in the amulet community.

These amulets are now very rare in the market. The materials used to create the Pae Pan series were exceptional, including sacred flower pollen, powdered scriptures, gemstones, ores, gold takruts, LP Pae’s own blessed powder, and even his personal collection of old Somdej amulets. It is said that fragments of original Somdej amulets made by Archan Toh (Somdej Toh of Wat Rakang—the originator of the Somdej) were also added. Such rare materials were only used during a time when financial concerns were less critical. Today, authentic Somdej Toh amulets are nearly impossible to find, let alone use in new creations.

LP Pae also included the five great magical powders: Itthije, Phathamang, Maharach, Trinisinghe, and Buddhakhun. For the Buddhakhun powder in particular, LP Pae personally inscribed and ground it while chanting the powerful Chinnabanchon mantra. After the main consecration ceremony at Wat Phikulthong, he continued to bless the amulets for at least three months to ensure maximum power.

In crafting these powders, LP Pae followed strict spiritual discipline—keeping his body and mind pure, maintaining focus, and ensuring the mantras and inscriptions were precise and error-free. Because of these sacred methods and powerful blessings, his Somdej amulets are believed to hold the miraculous power of the Buddha.